While more details about the pair have yet to come, the
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has just made its return in three classic colorways. Clad in velvety-soft suede uppers, the pairs arrive in Collegiate Burgundy, Collegiate Navy, and Grey. The tongue features a die-cut design that has been reinforced by foam for added structure. White leather is used on the side stripes and heel tab for a crisp look. Completing the look, a sole unit in an Off-White shade delivers a heritage feel reminiscent of its ’80s basketball roots.
Of the two, the “Core Black” is the most visually diverse.
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While the suede layers both along the side, tongue, and heel are darkened in their neutral shade, the laces, Three Stripes, and sole stand out thanks to the use of a lighter cream. The latter tone extends farther back onto the lining as well, while the trefoil-marked branding at the tongue and back tab finish in a more bleached variety. In comparison, the “Chalk White” alternate is effectively one-note, its various parts only marginally separate in appearance.
Late last year, adidas invited a number of craftsmen to re-contextualize the
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as part of the their on-going series of Makers Lab releases. Next to Helen Kirkum and Alex Nash, Shun Hirose — who is likely better recognized by his pen name RECOUTURE — introduced a bevy of color and subtle recreation to the classic silhouette.
After dropping a huge number of sneakers in his debut adidas Originals by Nigo collection in 2014, the latest Spring/Summer 2015 collection by the Japanese designer narrows the focus only to the
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. The grey and green suede colourways are nothing to get excited about, but the stand out from this trio is the Stan Smith inspired white leather and green number, minus the gawdy adidas Originals by Nigo tongue tag featured on the other colourways that kinda ruins the simplicity of the Campus silhouette.
Lining them up and knocking them down, Japan's The Fourness present their fourth collaborative effort in partnership with adidas, introducing the 'Jam'
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. Constructed from rich suede and leather overlays, each panel features a colour and inscription embossing relative to months of the year.